Who Eats, Who Dines, Who Tells Your Story – Review

The Hamilton Cookbook: Cooking, Eating, & Entertaining in Hamilton’s World by Laura Kumin

The Hamilton Cookbook

The Hamilton Cookbook

At the time of this writing, I have failed to win the ticket lottery to the Washington, DC production of Hamilton for about a week now.  This book may be the closest I, and so many others, will ever get to the room where it happens.  Still, for a historic food aficionado, it must suffice.

It’s hard to write a book about Alexander Hamilton’s eating habits.  Laura Kumin reveals that there is no direct historic evidence of any particular interest in food by the great man, including what he actually ate and drank, apart from some documented menus of dinners given by George Washington which Hamilton attended.  It took some sleuthing work to infer what his wife would have eaten as a girl in upstate New York, with her family’s Dutch heritage, which she might have instructed her cooks to prepare for her husband and children.  Ms. Kumin might also have found some recipes from Hamilton’s upbringing in the West Indies, adding a little spice to the otherwise rather stogy mid-Atlantic Coast diet of the time.

But only one “Dutch-style” recipe is included in the collection of 22, and one from the West Indies.  All are culled from British or North American sources, most from Hannah Glasse’s Art of Cookery Made Plain and Easy, and Amelia Simmons’ American Cookery.  One exceptional gem reproduces Thomas Jefferson’s handwritten recipe for vanilla ice cream.  Ms. Kumin has interpreted these recipes for the modern reader, and reproduced photocopied pages from the source material on facing pages.

None of the recipes would scare off even the most timid of modern cooks.  Indeed, one need not be worried that any exotic ingredients or equipment is needed; Ms. Kumin goes so far as to rename old recipes with reference to modern appliances (“Toaster Oven English Rabbit,” “Slow Cooker Corned Beef.”)  There is one recipe which may have been prepared in Eliza Hamilton’s household, based on her family background: “Dutch-Style Red Cabbage,” from Glasse.

But, on the whole, she has done an admirable job rendering the recipes fit for modern palates.  For “Baked Whole Whitefish,” adapted from Glasse’s “To bake a Turbot,” for instance, she wisely reduces the whole large grated nutmeg called for to ¼ teaspoon.

Although sometimes she goes too far.  I cooked the Lamb Stew, adapted from Glasse’s “A Harrico of Mutton.”  It was delicious, and the modern recipe was very easy to follow.  A touch of mace gave it an exotic, unfamiliar but pleasing flavor.  My only quibble was that Ms. Kumin adapted the “Bundle of Sweet Herbs” in the original to 1 tablespoon of fresh thyme leaves or 1 teaspoon dried; and one bay leaf.  Surely we moderns can stand a little more herbal seasoning than that for three pounds of lamb!

Lamb Stew

Lamb Stew

All the recipes are simple enough to be contained on a single page, so no Dreaded Overleaf problem.  Cook them, and you may be young and scrappy, but you won’t be hungry.

 

 

The Hamilton Cookbook: Cooking, Eating, & Entertaining in Hamilton’s World by Laura Kumin, Post Hill Press, New York, 2017.

 

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Kids, Queens and Ice Cream: The Governor’s Buy-Local Cookout, 2017 Edition

Another terrific iteration of the summer’s showcase of local products!  There were some changes and some good old reliables at the 2017 Governor’s Buy-Local Cookout.  This year’s innovation: the invitation to present a dish was extended to include not just professional chefs, but culinary programs in local colleges.  The result was a welcome expansion of the menu to include imaginative, exotic dishes.

For instance, the team from University of Maryland Eastern Shore at the Universities at Shady Grove campus presented Tandoori Style Rabbit.

Tandoori Rabbit, with Chef Susan Callahan on right

Tandoori Rabbit, with Chef Susan Callahan on right

The First Lady of Maryland made a point of posing with as many teams as possible.  Here she is with Anne Arundel Community College’s crew.  One of the AACC bunch’s dishes was responsible for the Worst Pun of the Night Award.  It was fried oysters, so it was also delicious.

AACC Team, with Mrs. Yumi Hogan

AACC Team, with Mrs. Yumi Hogan

Edger Allan Po' Boys

Edger Allan Po’ Boys

Here’s another unusual entry from academia, this one from Bon Appetit Management,  which services lots of college food programs: Grilled Persian-style Kofta BBQ.

Persian BBQ

Persian BBQ

Then there was the contingent from the Future Farmers of America.  They weren’t cooking, but one got the feeling that our farms will be in good hands in times to come.

Future Farmers of America

Future Farmers of America

Mrs. Hogan served from the Government House booth.  In a change from bulgogi, there was chicken BBQ.

Mrs. Hogan Serves

Mrs. Hogan Serves

I notice I seem to have been picturing a lot of BBQ, but rest assured there were plenty of delectable seafood- and plant-based bites as well.  Of course, there was my favorite dessert, ice cream.

We All Scream

We All Scream

Three artisanal creameries were dishing their finest: Prigel Family Creamery, Keyes Creamery, and Kilby Cream.

Which leads right into the mention of the Maryland Dairy Princess.  Yes, these events always have some agricultural royalty hobnobbing with the proletariat, and this one was graced by both the Dairy Princess and the Mar-Del Watermelon Queen.  They both graciously posed for photos.

Maryland Dairy Princess

Maryland Dairy Princess

Mar-Del Watermelon Queen

Mar-Del Watermelon Queen

 

I noticed the Watermelon Queen was carrying the same style of clutch purse that last year’s WQ was carrying.  Is it an heirloom, passed down from Queen to Queen, I asked her?  No. Each Queen buys her own.

There were weather-appropriate handouts.

I am a Fan of These

I am a Fan of These

Governor Hogan proclaimed, together with the Secretary of Agriculture.  The band played. Folks schmoozed.

A Proclaimation

A Proclamation

The Band

The Band

Schmoozing While Eating

Schmoozing While Eating

Selfies were taken.

Garden Selfie

Garden Selfie

And More Selfies

And More Selfies

 

And there was dancing!  In the heat!  Ah, youth!

Humid Dancing

Humid Dancing

 

 

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She Deserves a Big Tip: Waitress, the Musical

Waitress at the National Theatre is the touring version of the Broadway musical, from the 2007 film of the same name.  As the play’s plot is identical to the movie’s, it’s no spoiler to reveal that this feel-good show has a happy ending.  Getting there is an exercise in wild mood swings, and since this is the story of the pregnancy of Jenna the waitress (Desi Oakley), that seems wholly appropriate.

Waitress in the Rain

Waitress in the Rain

The songs and music are jazz-tinged, some bluesy, none traditional “show tunes.”  The band, onstage throughout the play, is allowed to interact with the action.  This adds depth to the setting of a small-town Southern diner (the piano doubling as a pie stand).  The band members are free to move about the stage, and combinations of instrumentalists accompany the singers, matching the mood of each piece.  The singing is uniformly strong, with an outstanding performance by Charity Angel Dawson as Becky, a fellow waitress.

The play is full of clever bits of stage business, and the dancing is spirited – together with the interlocking sets and creative lighting, it’s a true visual feast, a match for the aural one.

Jenna’s pregnancy is unexpected and unwanted, trapping her in her roles as server in Joe’s Pie Diner and wife to the abusive Earl (Nick Bailey).  Her main pleasure in life is creating pies, with such metaphorical names as Betrayed-By-My-Eggs Pie and White-Knuckle-Cream Pie, each reflecting her frustrations and expectations of life in the moment of conception.   Her emotions are tangled up in sugary creation; her mother, also in an abusive relationship, taught her to bake as an escape from her own misery.

The audience’s strongest reaction is provoked by the arrival of Ogie (Jeremy Morse), another waitress’ boyfriend.  He ignites the stage with his exponentially-higher level of energy, stealing every scene he’s in.  It’s a shame he doesn’t appear until just before the intermission, but then, he contributes a great deal to keeping the show lively during the second act.

We watch as Jenna pins her hopes of leaving town and starting a new life to winning a pie contest.  She takes to hiding part of her wages (which she must daily turn over to Evil Earl) to finance her trip and entry fee.  She begins an affair with her gynecologist (leading to a sketchy visual of her legs akimbo, straddling a pie held by the good doctor – a metaphor too far!)  But Earl finds her stash, and the minute she enters a scene nine months pregnant with the contest still a week away, everyone can see where this plot is headed.  And sure enough, the baby comes before the Hope-Pinned-Upon Pie.

But, guess what?  One bonding look at her baby and Jenna finds the agency to tell the vile Earl to take a hike, and, with a little encouragement from her friends, he does!  Apparently,  Magical Motherhood still works as a plot point in the 21st Century.  And another creaky old device, the deus ex machina, in the form of an unexpected gift, finds our heroine in possession of the feel-good, pie-in-the-sky ending to which every musical aspires.

Lobby Retail Opportunities

Lobby Retail Opportunities

Waitress, the Musical at the National Theatre thru June 3. Original music and lyrics by Sara Bareilles, book by Jessie Nelson, choreography by Lorin Latarro, directed by Diane Paulus.

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It Never Gets Old 3: The Fancy Food Show, 2017 Edition Part 3: Levitation

New this year, the Level Up program presented a selection of exhibits and talks addressing the Future of Food.  It was both literally and figuratively elevated – upstairs from the exhibit floor and filled with blue-sky notions.  I caught a few of the talks and visited the exhibits.  Here are some highlights.

FreshDirect runs a food delivery service.  One of their concerns is maintaining and improving the speed of their delivery, so they are exploring cutting-edge methods of getting food into the hands of their customers in the most efficient ways possible.  Jason Lopes described innovations such as “dark stores” with no actual produce on the premises, for ordering only; drone delivery; urban agriculture; augmented and virtual reality for virtual merchandising, and other technologies that seem outlandish now but could be just around the corner.

And speaking of technology, Francisco Migoya discoursed about Modernist Bread, the latest publication from the folks who produced Modernist Cuisine and is no less exhaustive in its treatment of all grains fermented.  In five volumes (plus a kitchen manual) which took three years, 40 tons of flour, a scanning electron microscope, and a saw capable of cutting appliances in half to produce.

Francisco Migoya and Canned Bread

Francisco Migoya and Canned Bread

To what end?  This set of books appeals to the geek-foodies and professionals for sure, but what about the rest of us dilettantes?  No fear – some things of use to the home cook: producing a levain (a.k.a. sourdough starter), techniques for preserving that levain in a home freezer, and the best way to proof it (in a $70 wine fridge set to 55°).  Also, baking bread in a canning jar will preserve it for six months.  This was presented as a brand new thing! – which will be news to everyone in New England who has ever bought Boston brown bread in a can.

In response to an audience query, Mr. Migoya admitted to addressing gluten-free bread “because we had to.”  That’s just about how I feel about that whole question.

Another part of the floor contained exhibits from projects on the leading (bleeding?) edge included one from Drexel University’s Food Institute, which, oh, no! displayed a plate of gluten-fee chocolate croissant samples!  And yet, they were strangely edible.  Probably the presence of chocolate mitigated the absence of gluten.

Alexandra Zeitz of Drexel

Alexandra Zeitz of Drexel

Meanwhile, Alexandra Zeitz filled me in on the programs Drexel is working on for food recovery, to reduce food waste and repurpose excess produce.  An excellent enterprise!  More power to them, and all other programs working to that end.

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It Never Gets Old 2: The Fancy Food Show, 2017 Edition Part 2: The Parties

Off-site parties are a fixture of the Show.  We attended two outstanding ones: the French Pavilion cocktail party, and the wonderful Urbani truffle cruise.

There were many delicious tidbits at the French party, including jambon de Bayonne, with jolly jambonniers who even let me take a turn slicing the leg!

Jolly Jambon Slicers

Jolly Jambon Slicers

Some excellent caviar was guarded by a glowering caviarista (rightly, too, or it would have been gone, gone, gone); and a rather fierce bartender portioning out a variety of French cidre.

Tight Rein on the Caviar

Tight Rein on the Caviar

But They Were Not Discouraged

But They Were Not Discouraged

Fierce French Bartender

Fierce French Bartender

There was a bespoke cocktail of cidre garnished with Perlan elaborees au rhum – little pearls of encapsulated rum, very Modernist Cuisine, which burst intriguingly in the mouth.

Pearls in Cidre

Pearls in Cidre

Much Cidre

Much Cidre

Also much mustard,

Ring of Mustard

Ring of Mustard

Fruit, pastries, cheese, and an entertaining cake.

French Liberty Cake

French Liberty Cake

All tres jolie, but upstaged by the Urbani cruise.  It was very similar to last year, but alas, this time we couldn’t stay for the whole event, but departed before the boat left the pier.  Still, we managed to experience the abbondanza of goodies to be sampled.

We were greeted at the gangplank by a wonderful antique gelato cart.

Gelato for Show

Gelato for Show

On the covered deck, there were tables holding such tidbits as burrata con tartufo and truffle maccheroni pie,

Burrata and Pie

Burrata and Pie

then a pig becoming porchetta,

Whole Pig Being Served

Whole Pig Being Served

and yet another haunch of ham (not that I’m complaining), and another caviar maven.  This time we got to eat it off our thumbs!

Caviar and Ham Station

Caviar and Ham Station

There was more food, a lovely view,  several bars, and a band.

Lots of Food

Lots of Food

View from Boat

View from Boat

One of the Bars

One of the Bars

The Band

The Band

And finally, a working gelato cart!  It made having to leave before sailing time all the more bittersweet.

Gelato, Again

Gelato, Again

And lastly, Part 3: The Future of Food

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It Never Gets Old: The Fancy Food Show, 2017 Edition Part 1: The Show Floor

There were many new things to write about at this year’s show, as well as lots of those tried-and-true features which I look for from years past.

A View of the Exhibit Floor

A View of the Exhibit Floor

I once again found myself spending lots of time in the Italian pavilion.  It’s the most passionately food-obsessed country at the show, and many of the exhibitors are delighted to share that enthusiasm.  There were several chefs cooking on the floor, including at the booth of the Italian Trade Agency,

Italians on Film

Italians on Film

La Gramigna products’ chefs cooking their excellent Ragu Bolognese,

Graphic Ragu

Graphic Ragu

a chef from Pastificio Bacchini extolling his product,

The Chef Through the Hole

The Chef Through the Hole

And Discoursing to His Audience

And Discoursing to His Audience

and the famous Italian chef Rosanna Di Michele at La Pasta di Camerino’s booth.

Rosanna Cooks

Rosanna Cooks

Assisted by Frederico Maccari

Assisted by Frederico Maccari

She had a very attractive assistant to help her serve, but I’m afraid he still couldn’t beat that Italian fox who comes every year to represent San Nicola Prosciutto.

The Fox of San Nicola

The Fox of San Nicola

And so much more in the Italian Pavilion!  Espresso machines,

Espresso Machine

Espresso Machine

Many wheels of Parmesan, many more haunches of ham, and some lovely gelato in the Buon Italia distributors pavilion.

Gelato!

Gelato!

There was chocolate there too, and so many other good things to try!  But maybe the most eye-catching exhibit was the creche carved in the center of a Fiasconaro panettone.

The Creche in the Cake

The Creche in the Cake

So hard to extract myself from those food-loving hedonists!  I performed a gradual Ital-ectomy by finding the Italian-adjacent booth of Rao’s Homemade.  Frank Pellegrino Jr. proved just as ebullient as anyone from the old country.  He signed a copy of his cookbook, Rao’s Classics, for me and offered me some samples from their cooking demo.  The book is a history and collection of recipes from the legendary restaurant.

Rao's Frank Pellegrino, Jr.

Rao’s Frank Pellegrino, Jr.

The German chefs were there, affable as ever, cooking up their specialties.

Jolly German Chefs

Jolly German Chefs

And at the Peru pavilion, a chef was being filmed as he cooked.  Who was this handsome devil? He’s Emmanuel Piqueras, host and co-producer of “Sabor y Fusion,” a popular Peruvian cooking show on Latin America’s largest international cable network.  No wonder he was so used to being on camera!

Chef Emmanuel Piqueras

Chef Emmanuel Piqueras

Closer to home, the Oregon booth was hosting Janie Hibler, author of The Berry Bible.  It’s full of excellent information about every variety of berry you can think of, and many you have never heard of.  Really: blue honeysuckle berry, buffalo berry, jostaberry?  Most of these obscure berries are not raised commercially, but used locally where they grow.  There are some terrific recipes as well, savory as well as sweet.

She's the Berries!

She’s the Berries!

From Brooklyn (where else?) comes the Matzo Project, two millennials who have a modern take on an old staple.  They have actually made the old, dry cracker tasty by reinventing it with new flavors (everything! chocolate buttercrunch!) and graphics that manage to just barely not upstage the product.  Their mascot reminds me of my Aunt Shirley.

Ashley and Kevin. Kinahera!

Ashley and Kevin. Kinahera!

And here’s a mini-trend: stroopwafels.  These caramel-filled wafers, long imported from Europe, are now produced in Lancaster, PA, providing employment to new, resettling refugees.  Tom Daly, the Daelmans rep, was not worried about the competition.  I think the edge in taste went to the Stroopies product, but only because they were hot off the griddle.

The European Original

The European Original

The New World Upstart

The New World Upstart

I can’t close without mentioning two moving attractions.  The Moose, promoting Moose Munch, and his attractive female companion (lumberjackette?), and the SOFI Man, who looked a little uncomfortable covered in gilt, but was gamely posing next to the monumental version of himself.

The Moose Is In the House

The Moose Is In the House

SOFI Man

SOFI Man

 

Stay tuned for Part 2: The Parties

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The Apple, the Coffeepot, the Chef, and the Artist

The prolific artist Paul Cezanne’s most well-known paintings are arguably his still-lifes and landscapes, yet he produced about 160 portraits over his career.  The National Gallery of Art has gathered 60 of them into a fascinating exhibit which provides a showcase for Cezanne’s evolving style and techniques.

At the press preview last week, curator Mary Morton pointed out that the multiple portraits Cezanne painted of the same subject (including himself), gave him latitude to express more than one reality.  He is widely regarded as the link between the Post-Impressionists and the abstractionist explosion of the early 20th Century.

Besides appreciating the techniques and aesthetics of the paintings, I naturally had my radar out to spot the incidental hints of  foody elements in the portraits – and there were a few.  One of the largest, but at the same time relatable, portraits depicts the artist’s father reading a newspaper, with one of Cezanne’s own fruity still-lifes in the background.

The Artist's Father, Reading "L'Evenement"

The Artist’s Father, Reading “L’Evenement”

Another, titled Woman with Coffee Maker (Cafetiere), implies that the setting is a kitchen, and the unknown woman (one of the many peasants Cezanne used as models) could have a connection to food preparation.  Maybe a farmer’s wife or cook?

Woman with Coffee Maker (Cafetiere)

Woman with Coffee Maker (Cafetiere)

And I found a rather more tenuous and altogether different food connection in the unfinished portrait of Ambroise Vollard, an art dealer and gallery owner, who posed for this picture for a total of 115 sessions!  And the ungrateful painter only complained that M. Vollard did not sit still.  “You wretch! … Do I have to tell you again to sit like an apple?  Does an apple move?”   One can only imagine M. Vollard’s response.

Ambroise Vollard

Ambroise Vollard

In honor of the exhibit, the NGA’s Garden Café is serving a heavily French-accented menu for lunch and weekend brunch.  With the gracious facilitation of the NGA’s Christina Brown, I interviewed Executive Chef Christopher Curtis of the Starr Catering Group about his process for the recipe design.  I also got to sample some of the dishes. (Note: as I tasted a sampling menu, the pictures here do not reflect the actual size or plating of each dish, except for the dessert crepes.)

Chef Chris has had plenty of experience in the world of French-adjacent cuisine. Previously, he interned with Chef Marcus Samuelsson at Aquavit, worked with Chef Eric Ripert at the Standard Hotel in Miami, and was Banquet Chef at the Viceroy Hotel in Miami, where renowned Michelin-star Chef Michael Psilakis was his mentor.

Chef Chris in the Garden

Chef Chris in the Garden

 

The Starr Group is relatively new to the NGA – the Vermeer exhibit last year was Chef Chris’ first experience of the art-cuisine connection.   That menu utilized warm spices to reference the Dutch domination of the spice trade of 17th-century Europe.

For the Cezanne connection, he relied upon a fine old standard text, Richard Olney’s Simple French Food.  Published in 1974, and long a staple on my bookshelf, Olney’s book is full of recipes which can be adapted to American palates and optimized for restaurant service, while maintaining a flavor of early 20th Century France.

There are plans to rotate menu dishes as seasonal ingredients become available, so the menu will change during the run of the exhibit.  Chef Chris hinted that he might add a dish based on Cezanne’s famous Three Pears still life, which of course resides in the NGA.  Right now, there are still echoes of winter in the roasted butternut squash- and kale-dressed chicken breast.  I preferred the deeply flavorful adaptation of salad Nicoise:  fennel-coated fish with olives, capers and an herb vinaigrette to evoke the classic dish.

Chicken (L), Fish (R)

Chicken (L), Fish (R)

The chicken liver pate on the Charcuterie Platter was also inspired by a recipe in Olney’s book, but, “I put some brandy in it.” Though you can’t quite taste the brandy, the pate is delicious.  The rest of the charcuterie platter, and the collection of cheese on the Cheese Sampler, make them highly satisfying appetizer selections.

Combination Charcuterie Platter and Cheese Sampler

Combination Charcuterie Platter and Cheese Sampler

An Heirloom Tomato – French Feta Salad relies on cherry tomatoes for that garden flavor in the absence of the true summer field-ripened specimens, but the balsamic reduction compensates for any lack of flavor.  The Salad Verte is the least successful of the appetizers, slightly on the bitter side with watercress and assertive radishes overbalancing the milder elements.

Dessert choices include a Caramelized Banana Crepe with chocolate hazelnut spread and strawberry drizzle (delicious), as well as Apple Bread Pudding and Chocolate Pot de Crème.

Banana Crepe  (Picture Credit Christina Brown)

Banana Crepe (Picture Credit Christina Brown)

The NGA has been designing menus for the Garden Café to harmonize with exhibits for several years, and I’m glad to see the tradition continue.  Some of the Cezanne menu dishes served in the Garden Café may also be offered in the larger and less atmospheric Cascades restaurant.  Either way, this menu is a fine way to enhance one’s day of culture at the National Gallery.

Cezanne Portraits, National Gallery of Art, Through July 1, 2018

West Building, Main Floor: www.nga.gov/

Garden Café: www.nga.gov/visit/cafes/garden-cafe.html

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The Pastrami You Meet In Heaven

Food is Love: a sentiment no one would dispute, so true that there could hardly be room for discussion.  Yet, this simple statement contains multitudes – and drives family dynamics.  It can certainly sustain a two-hour play, and there’s a thought-provoking, beautifully-acted example on view in Olney right now.

At the center of Aubergine, at the Olney Theatre Center, lies the relationship between a father and son, explored through stagecraft and character monologues as well as straight-on interaction.  The projections and stage ninjas moving furniture around don’t distract from the finely honed performances, especially those of Eunice Bae as Cornelia and Tony Nam as Ray.  As Ray’s dying father, Glenn Kubota is required to lie unmoving for most of his on-stage time, but manages once to spring upright and deliver a monologue of his own.

Ray became a chef in reaction to his father’s attitude towards food and cooking – he’s indifferent to food and sees cooking as women’s work.  Left alone together by the death of Ray’s mother, their relationship is fraught and adversarial, yet Ray moves his father into his dining room to nurse him as he succumbs to liver cirrhosis.  Ray’s only (cold) comfort is his former girlfriend, Cornelia, whom he dragoons into phoning his father’s estranged brother back in Korea.

Ray’s angst leads him to consume many cans of beer in his lonely despair.  The audience almost despairs along with him, but wait – it’s early in the play!  Lucien (Jefferson Russell), the hospice nurse, arrives.  He is a refugee from an unspecified disaster, the representative of an alien culture dealing with his own issues of loss, yet resolutely cheerful,  showing Ray a way out of his fugue.  Lucien’s gift of an eponymous eggplant – “Call them aubergines, then they taste better” –  signals that the situation is about to change.  The audience is ready for it by this time.

Jefferson A. Russell (Lucien) and Tony Nam (Ray) in Aubergine written by Julia Cho. (Photo: Stan Barouh)

Jefferson A. Russell (Lucien) and Tony Nam (Ray) in Aubergine written by Julia Cho. (Photo: Stan Barouh)

 

Sure enough, just before intermission, Ray’s uncle arrives.  He brings comfort in the form of soup ingredients, one of which is a live turtle.  Ray is expected to dispatch and cook the “very expensive, special” chelonian and feed the soup to his father, who is mostly unconscious and beyond eating.

Ray’s Uncle (Song Kim) speaks no English; most of his dialog is accompanied by supertitles projected on the backdrop.  This does not hinder his function as a dramatic device, as he deepens our understanding of Ray’s father and his relationship to his son.

Glenn Kubota (Ray's Father), Eunice Bae (Cornelia), Tony Nam (Ray), and Song Kim (Uncle) in Julia Cho's Aubergine at Olney Theatre Center. (Photo: Stan Barouh)

Glenn Kubota (Ray’s Father), Eunice Bae (Cornelia), Tony Nam (Ray), and Song Kim (Uncle) in Julia Cho’s Aubergine at Olney Theatre Center. (Photo: Stan Barouh)

The play is bookended by two scenes: a blond woman (Megan Anderson) beautifully delivering an affecting but seemingly-unrelated monologue about her father’s last meal, a lovingly-made pastrami sandwich; and an epilogue rather at odds with the tenor of the rest of the play, bringing the woman, and the sandwich, into the play’s action. It’s open to interpretation – have the characters transmogrified into their best selves, or perhaps obtained their final rewards?  Hint: at the end, even the turtle is happy.

Aubergine, by Julia Cho, at Olney Theatre Center, now thru March 4. Co-produced with Everyman Theatre; directed by Vincent M. Lancisi; part of 2018 Women’s Voices Theater Festival.

 

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What You Need, and Need to Know: USBevX 2018

Last year, I went to the trade show of USBevX, the U.S. Wine & Beverage Industry Expo.  It was both fun and enlightening. Read about it here.

This year, I will be attending some of the sessions geared towards winemaker education.  If ever there was a deep dive into all aspects of the wine industry, this is it!  Their website has complete information about the conference.

The U.S. Wine & Beverage Industry Expo, produced by the Wine Industry Network February 21 & 22, 2018 · Marriott Wardman Park · Washington, DC

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From Farm To Fabulous

Celebrate the end of a very long winter and enjoy nature’s bounty! Friends of the Olney Farmers and Artists Market invites you to join us for behind the scenes, exclusive tours of four of our most fabulous farms. The events include private tours by the owners, along with wine and/or signature cocktails and hot and cold hors d’oeuvres.

TOUR #1 SHEPHERD’S MANOR CREAMERY, SATURDAY, MARCH 10th

The View From Shepherd's Manor

The View From Shepherd’s Manor

Our first event takes place Saturday, March 10th (rain date is Sunday, March 11th), from 2 to 5 p.m. at Shepherd’s Manor Creamery. The farm, Maryland’s only sheep cheese farm,  is located in the beautiful rolling hills of Carroll County, MD, in historic New Windsor.  Get an up-close and personal tour from the owners, Colleen and Michael Histon; meet the sheep and the llama that keeps them safe; and find out firsthand how their fabulous cheese is made.  Then gather on the veranda for a fabulous array of hors d’oeuvres and wine and/or signature cocktails.

Cost is $50 per person. Proceeds benefit the Olney Farmers Market’s neediest customers, people in need who come to the market for produce.  RESERVE NOW by calling 202.257.5326 or mail your check payable to Friends of the Olney Farmers Market to PO Box 1787, Olney, MD 20830.  Tickets are limited and non-refundable.

TOUR #2 FALCON RIDGE FARM, SATURDAY, MAY 5TH

Our second event takes place Saturday, May 5th, from 4 to 6:30 p.m. (rain date, Sunday, May 6th)  at Falcon Ridge Farm in Westminster, overlooking the spectacular hills of Pennsylvania.  It is Maryland’s premiere fruit farm, featuring everything from lemons, apples and peaches to paw paws.  You’ll get a private tour of the farm, then gather in the barn for hot and cold hors d’oeuvres and wine and/or signature cocktails.  Desserts are likely to include some of Nancy MacBride’s finest pound cakes, all made with fruit from the farm.  Stanton is always full of surprises, so be prepared!  Wear good walking shoes!!

Cost is $50 per person. RESERVE NOW by calling 202 257 5326 or mail your check payable to Friends of the Olney Farmers Market to PO Box 1787, Olney, MD 20830. Tickets are limited and non-refundable.

TOUR #3 VEGETARIAN THANKSGIVING, SATURDAY, NOVEMBER 10TH

Our third event also takes place at Falcon Ridge Farm in Westminster.  Stanton and Nancy and family are putting on a special, vegetarian Thanksgiving, on Saturday, November 10th. Time will be announced soon.  You don’t have to be a vegetarian to enjoy their fabulous meatless dishes.  Wine and/or signature cocktails are included. Don’t forget to wear good walking shoes.  And there’s a bonus.  You might just get to feed the turkeys!

Cost is $50. per person. RESERVE NOW by calling 202 257 5326 or mail your check payable to Friends of the Olney Farmers Market, PO Box 1787, Olney, MD 20830. Tickets are limited and non-refundable.

Tour #4 Details coming soon.  Look for them on olneyfarmersmarket.org

Note: Your charitable donations may be tax deductible. We are a 501 (C) 3 organization.

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